More critical writing exists on The Great Gatsby than on any other work of American fiction. This Columbia Critical Guide introduces and contextualizes the key critical debates surrounding Fitzgerald's novel. The extracts and essays included here reflect The Great Gatsby's place as one of the first American novels to make significant use of modernist techniques and explore the influence of this "Lost Generation" work on later American writings. In considering secondary sources from the twenties to the present, this smart and sophisticated study guide offers readers an invaluable resource on this complex rendering of a moment in American history.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.